Joan Shepard – “Confessions of Old Lady #2”

Joan Shepard

Joan Shepard, veteran English born New York based actress returns to London, this time in St James Studio, with her acclaimed show “Confessions of Old Lady #2”

Joan Shepard with Talullah Bankhead

Joan Shepard with Talullah Bankhead

“a gifted raconteur..Talullah Bankhead..set fire to her with a cigarette!..”

Joan Shepard, veteran English born U.S. actress returns to London with her acclaimed show “Confessions of Old Lady #2” once again, regaling audiences with her amusing and sometimes poignant anecdotes and delicious gossip on such stars as Laurence Olivier, Ethel Waters, Tallulah Bankhead, Dame Judith Anderson, Liza Minnelli and Lenny Bruce.

More of a monologue with occasional song than a cabaret, the show tells her story with wit and charm from her successful career as a child actor through the difficult transition to being accepted as adult performer, though in fact she continued to play children sometimes, albeit with a “bosom crusher”.

Now 80 years old, Joan began at the tender age of 7 being given her first job as an extra (though she slipped in a whispered line ) by Laurence Olivier in his 1940 Broadway production of “Romeo and Juliet”, and later went on to play daughter to Talullah Bankhead in “Foolish Notion”, who both gave the youngster her first Broadway solo bow, and set fire to her with a cigarette!

She lets us know from the start that she never worked in movies – though she declined an offer from Elvis Presley’s manager to “kneel before the King”, which could have changed her fortunes. Forty –seven years later, she was offered a role in Disney’s College Road Trip – Old Lady #2!

Joan is a gifted raconteur using a pleasingly conversational style and theatrical devices to lend variety and pace to her stories, including abruptly putting an end to her own opening applause to stamp her authority, seemingly going off on tangents in the middle of stories to explain certain points, and calling up a hapless female audience member to act as foil for one particularly outrageous encounter with a celebrity she had looked forward to meeting.  She also writes and sings funny songs illustrating her many experiences both onstage and off.  These are sensitively accompanied by Michael Ferreri on piano.

The audience, although relatively few in number, laughed heartily and showed their genuine enjoyment of this diminutive Old Lady and I saw several approach her afterwards to express their fascination and delight.

Her dearth of movie roles matters little to her. Her love of theatre and language, happy marriage and respect for the medium of children’s theatre have earned her the admiration of many fans both young and old.

In fact, despite working in so many prestigious productions, her work in children’s theatre will perhaps prove to be her greatest legacy.  She and her actor husband Evan Thompson founded the children’s theatre company “Fanfare Theatre Ensemble” where they wrote and performed several shows at a time when children’s work was considered very lowly in the States.  It was this company that, such was the quality of their work, was to win the fight with Equity to create and grant contracts to actors working in this field.

Joan loved it, and the young audiences loved her – so much so that one little boy on hearing her talk about the Ensemble’s different shows reminded her from the audience “You forgot Rumplestiltskin!”

She shows no sign of retiring. This crackling fast-moving show is on its way to Edinburgh for no fewer than 19 performances at Fingers Piano Bar.  You should try to catch it, especially if you are interested in the history of Hollywood and Broadway.

This redoubtable woman tells us “I am going on tour this Christmas in “Hansel and Gretal”. Try and stop me!”  I wouldn’t dare.

About Fiona Jane Weston

I am Fiona-Jane Weston and as well as being a performer myself (see website), I write reviews of and features on shows, mainly on the London cabaret and theatre scene. I have worked in theatre for many years, but decided to embark on a new direction in cabaret in 2009, when I produced 20th Century Woman: The Compact Cabaret. Not wanting to neglect my love of spoken word, particularly drama and verse, I made the conscious decision to include these elements in the programme, as well as wonderful songs, to tell the story of women's changing status and preoccupations throughout the 20th Century and up to now. I was invited to audition for the renowned Cabaret Conference at Yale, run by the late legendary Erv Raible, and that was thrilled to be one of only 26 accepted that year, where I was taught by the masters of the genre. Amanda McBroom (composer of the Bette Middler hit "The Rose" and the poignant "Errol Flynn"), Laurel Massé, original member of Manhattan Transfer, Sally Mayes, Tony Award nominees Sharon McNight and Tovah Feldshuh, and New York cabaret veteran Julie Wilson were all on the faculty. We were also treated to the musical direction of Alex Rybeck, Hubert Tex Arnold and the now late Paul Trueblood. With the benefit of their insightful teaching and great encouragement, I took my show to The Duplex in New York, where I was delighted with the response. Since then, I have produced Loving London: The Capital Cabaret, using the same format of songs, poetry and drama, in various London venues, including Leicester Square Theatre and The Crazy Coqs. 2014, the centenary of World War 1, saw the launch of Wartime Women: the Khaki Cabaret to a sellout house at St. James Theatre, London, garnering great notices, including from The Times and Musical Theatre Review. I have since been touring the show to Belgium and throughout the UK. I hope these reviews and interviews entertain and educate at the same time, and if please do leave comments in the box. It's great to engage in a conversation about the Arts. Fiona-Jane Weston
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2 Responses to Joan Shepard – “Confessions of Old Lady #2”

  1. revmulvey says:

    Saw her today at Fingers bar in Edinburgh – a real character. Nothing will stop her!

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